African Drama and Performance (A Research in African Literatures Book)

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Baldwin, who is best known for his novel Go Tell It on the Mountain , wrote deeply personal stories and essays while examining what it was like to be both Black and homosexual at a time when neither of these identities was accepted by American culture. Baldwin's idol and friend was author Richard Wright , whom Baldwin called "the greatest Black writer in the world for me". Wright is best known for his novel Native Son , which tells the story of Bigger Thomas, a Black man struggling for acceptance in Chicago. Baldwin was so impressed by the novel that he titled a collection of his own essays Notes of a Native Son , in reference to Wright's novel.

However, their friendship fell apart due to one of the book's essays, "Everybody's Protest Novel," which criticized Native Son for lacking credible characters and psychological complexity. The other great novelist of this period is Ralph Ellison , best known for his novel Invisible Man , which won the National Book Award in Even though he did not complete another novel during his lifetime, Invisible Man was so influential that it secured his place in literary history.

After Ellison's death in , a second novel, Juneteenth , was pieced together from the 2,plus pages he had written over 40 years. A fuller version of the manuscript was published as Three Days Before the Shooting The Civil Rights time period also saw the rise of female Black poets, most notably Gwendolyn Brooks , who became the first African American to win the Pulitzer Prize when it was awarded for her book of poetry, Annie Allen. Along with Brooks, other female poets who became well known during the s and '60s are Nikki Giovanni and Sonia Sanchez.

During this time, a number of playwrights also came to national attention, notably Lorraine Hansberry , whose play A Raisin in the Sun focuses on a poor Black family living in Chicago. Another playwright who gained attention was Amiri Baraka , who wrote controversial off-Broadway plays.

In more recent years, Baraka became known for his poetry and music criticism. It is also worth noting that a number of important essays and books about human rights were written by the leaders of the Civil Rights Movement. Beginning in the s, African-American literature reached the mainstream as books by Black writers continually achieved best-selling and award-winning status. This was also the time when the work of African-American writers began to be accepted by academia as a legitimate genre of American literature.

A number of scholars and writers are generally credited with helping to promote and define African-American literature as a genre during this time period, including fiction writers Toni Morrison and Alice Walker and poet James Emanuel. James Emanuel took a major step toward defining African-American literature when he edited with Theodore Gross Dark Symphony: Negro Literature in America , a collection of black writings released by a major publisher. Toni Morrison , meanwhile, helped promote Black literature and authors when she worked as an editor for Random House in the s and '70s, where she edited books by such authors as Toni Cade Bambara and Gayl Jones.

Morrison herself would later emerge as one of the most important African-American writers of the 20th century. Her first novel, The Bluest Eye , was published in Among her most famous novels is Beloved , which won the Pulitzer Prize for Fiction in This story describes a slave who found freedom but killed her infant daughter to save her from a life of slavery.

Another important novel is Song of Solomon , a tale about materialism , unrequited love , and brotherhood. In the s novelist and poet Alice Walker wrote a famous essay that brought Zora Neale Hurston and her classic novel Their Eyes Were Watching God back to the attention of the literary world. An epistolary novel a book written in the form of letters , The Color Purple tells the story of Celie, a young woman who is sexually abused by her stepfather and then is forced to marry a man who physically abuses her.

The novel was later made into a film by Steven Spielberg. The s also saw African-American books topping the bestseller lists. A fictionalized account of Haley's family history—beginning with the kidnapping of his ancestor Kunta Kinte in Gambia through his life as a slave in the United States— Roots won the Pulitzer Prize and became a popular television miniseries.

Literatures in African languages

Haley also wrote The Autobiography of Malcolm X in African-American poets have also garnered attention. Cassells is a recipient of the William Carlos Williams Award. Lesser-known poets such as Thylias Moss also have been praised for their innovative work. Most recently, Edward P. African-American literature has also crossed over to genre fiction.

Oral Literature in Africa - Drama - Open Book Publishers

A pioneer in this area is Chester Himes , who in the s and '60s wrote a series of pulp fiction detective novels featuring "Coffin" Ed Johnson and "Gravedigger" Jones, two New York City police detectives. Himes paved the way for the later crime novels of Walter Mosley and Hugh Holton. African Americans are also represented in the genres of science fiction, fantasy and horror, with Samuel R.

Delany , Octavia E.

African Drama

Saunders , John Ridley , John M. Faucette , Sheree Thomas and Nalo Hopkinson being just a few of the well-known authors. Finally, African-American literature has gained added attention through the work of talk-show host Oprah Winfrey , who repeatedly has leveraged her fame to promote literature through the medium of her Oprah's Book Club. At times, she has brought African-American writers a far broader audience than they otherwise might have received.

While African-American literature is well accepted in the United States, there are numerous views on its significance, traditions, and theories. To the genre's supporters, African-American literature arose out of the experience of Blacks in the United States, especially with regards to historic racism and discrimination, and is an attempt to refute the dominant culture's literature and power.

In addition, supporters see the literature existing both within and outside American literature and as helping to revitalize the country's writing. To critics [ who? In addition, there are some within the African-American community who do not like how their own literature sometimes showcases Black people. Throughout American history, African Americans have been discriminated against and subject to racist attitudes.

This experience inspired some Black writers, at least during the early years of African-American literature, to prove they were the equals of European-American authors. As Henry Louis Gates, Jr, has said, "it is fair to describe the subtext of the history of black letters as this urge to refute the claim that because blacks had no written traditions they were bearers of an inferior culture. By refuting the claims of the dominant culture, African-American writers were also attempting to subvert the literary and power traditions of the United States.

Some scholars assert that writing has traditionally been seen as "something defined by the dominant culture as a white male activity. By borrowing from and incorporating the non-written oral traditions and folk life of the African diaspora , African-American literature broke "the mystique of connection between literary authority and patriarchal power.

This view of African-American literature as a tool in the struggle for Black political and cultural liberation has been stated for decades, perhaps most famously by W. Du Bois. According to Joanne Gabbin, a professor, African-American literature exists both inside and outside American literature. Even though African Americans have long claimed an American identity, during most of United States history they were not accepted as full citizens and were actively discriminated against.

As a result, they were part of America while also outside it. Similarly, African-American literature is within the framework of a larger American literature, but it also is independent. As a result, new styles of storytelling and unique voices have been created in relative isolation.


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The benefit of this is that these new styles and voices can leave their isolation and help revitalize the larger literary world McKay, This artistic pattern has held true with many aspects of African-American culture over the last century, with jazz and hip hop being just two artistic examples that developed in isolation within the Black community before reaching a larger audience and eventually revitalizing American culture.

Since African-American literature is already popular with mainstream audiences, its ability to develop new styles and voices—or to remain "authentic," in the words of some critics—may be a thing of the past. Some conservative academics and intellectuals argue that African-American literature exists as a separate topic only because of the balkanization of literature over the last few decades, or as an extension of the culture wars into the field of literature.

These critics reject bringing identity politics into literature because this would mean that "only women could write about women for women, and only Blacks about Blacks for Blacks.

African Expressive Cultures

People opposed to this group-based approach to writing say that it limits the ability of literature to explore the overall human condition. Critics also disagree with classifying writers on the basis of their race, as they believe this is limiting and artists can tackle any subject. Proponents counter that the exploration of group and ethnic dynamics through writing deepens human understanding and previously, entire groups of people were ignored or neglected by American literature.

The general consensus view appears to be that American literature is not breaking apart because of new genres such as African-American literature. Instead, American literature is simply reflecting the increasing diversity of the United States and showing more signs of diversity than before in its history Andrews, ; McKay, Some of the criticism of African-American literature over the years has come from within the community; some argue that black literature sometimes does not portray black people in a positive light and that it should.

Du Bois wrote in the NAACP 's magazine The Crisis on this topic, saying in "We want everything that is said about us to tell of the best and highest and noblest in us. We insist that our Art and Propaganda be one. Du Bois's belief in the propaganda value of art showed when he clashed in with the author Claude McKay over his best-selling novel Home to Harlem.

Du Bois thought the novel's frank depictions of sexuality and the nightlife in Harlem appealed only to the "prurient demand[s]" of white readers and publishers looking for portrayals of Black "licentiousness.

IV. Some special forms

Addressing prejudice between lighter-skinned and darker-skinned Blacks, the novel infuriated many African Americans, who did not like the public airing of their "dirty laundry. Many African-American writers thought their literature should present the full truth about life and people. He wrote that Black artists intended to express themselves freely no matter what the Black public or white public thought. More recently, some critics accused Alice Walker of unfairly attacking black men in her novel The Color Purple Robert Hayden , the first African-American Poet Laureate Consultant in Poetry to the Library of Congress , critiqued the idea of African-American Literature by saying paraphrasing the comment by the black composer Duke Ellington about jazz and music : "There is no such thing as Black literature.

There's good literature and bad. And that's all. In order to substantiate this claim, he cites both the societal pressures to create a distinctly black American literature for uplift and the lack of a well formulated essential notion of literary blackness. For this scholar, the late 19th and early 20th centuries de jure racism crystallized the canon of African-American literature as black writers conscripted literature as a means to counter notions of inferiority.

In an alternative reading, Karla F. Holloway 's Legal Fictions Duke University Press , suggests a different composition for the tradition and argues its contemporary vitality. Legal Fictions argues that the social imagination of race is expressly constituted in law and is expressively represented through the imaginative composition of literary fictions.